"The Finkler Question" - Howard Jacobson
Rargh agh ah. I really just don’t get this book. It was recommended to me by someone who hadn’t read it, and
they said it would be great, and now I know the only possible reason they could
have said that is because 1) they never read it, and 2) they aren’t an old
white Jewish man.
I don’t really feel qualified to talk shit about this book.
Hell, I’m not really qualified to talk shit about any book at all, especially
not one that one the Man Booker and is written by someone undoubtedly
infinitely more knowledgeable about writing and life than I am. But to start, there
was absolutely no plot. None at all. I’m not some kind of
short-attention-spanned simple reader who needs big, continuous events to keep
her interested in a book, but I think when it comes to the point that you’re
bored by the middle of a sentence (let alone page, let alone book) you question
the lack of movement in the text.
Apparently it is paraded for ‘wit’ but I laughed three
times. That might be okay for a book of another genre (what the hell genre is The Finkler Question anyway?) but
apparently this book is supposed to be comedic. It’s paraded as that black kind
of comedy, but I couldn’t see anything too dark in it and laughing three times
doesn’t make it a ‘funny’ book. Jonathon Safran Foer speaks very highly (so highly,
in fact, that he’s quoted on the cover of The
Finkler Question) of Mr. Jacobson’s with and special kind of black humor. I
like Mr. Foer, that’s for sure, but I just cant agree with him. I don’t see it.
This review in the New Yorker describes quite accurately
what I mean – “Jacobson has a weakness for breaking into one-line paragraphs,
so as to nudge the punch line on us. The effect is bullying, and, worse,
bathetic: we have probably already predicted the joke by the time we reach its
italicization.”
I’m getting annoyed now, because maybe this is one of those
things that only adults can like. It’s a book version of olives. Or quiet
baths. Is there something in this book that identifies the maturity level of
the reader and says “you may not enjoy or even remotely begin to understand
this book’? That’s just ridiculous. I have enjoyed and continue to enjoy plenty
of adult books (not that kind of ‘adult’)
and I love olives and quiet baths.
My conclusion is that it must be the Jewish thing.
At first this made me worry that I was an anti-Semitist. I
mean, the whole book is about anti-Semitism, you couldn’t be human and not
question your status towards Judaism after reading any damn book that was about
it. I came to the conclusion that I was not an anti-Semitist, I mean you know, I
don’t think I am. I’m pretty sure I’m not. But I’m willing to admit that I know
next to nothing about Judaism. Is that why I can’t enjoy this book? But that’s
not fair. I should be able to enjoy the greater meaning of a book without
understanding every inch of the detail within. I should be able to identify
with the characters on some kind of human level, regardless of their gender or
religion.
I mean, I pretty much hate all of the characters in this
book. Julian Tresolve is pathetic literally to the point of incongruous. He is
such a big failure that I actually find it difficult to believe he has the
companions he does. Not that they are really any better – no. The three main
characters are three old white Jewish men who, between the three of them,
almost scrape together enough substance for one. Almost.
Of course, there was a reason I didn’t stop reading
entirely. I believe that there is some wisdom in the book. A few times I found
myself paused after a sentence and just thinking about things. Not too often,
though. (I.e. not often enough.) The other reason I kept reading, is that I
thought maybe if I kept going I would learn more about Jewishness (or as the
book says, Finklerishness) and then maybe I would be able to understand more as
I went along. This delightful idea of simultaneous learning and then
understanding did not come to fruition though, and it just made me angry at Mr.
Jacobson. It wasn’t fair. The book must be good to with the Man Booker – right?
Who is he to deny me the right to enjoy a Man Booker recipient? Who do you
think you are, Mr. Jacobson! This book itself makes me feel alienated from the
Jewish faith/culture/everything. And that’s what the book is kind of about…
which just adds a whole other level of confusion to the mix.
To be fair, I think most people reading this book would
probably actually know what ‘Zionism’ actually is (not just a contextual
understanding of the work from hearing it sporadically through one’s short life
so far) before they begin, and not have to google it (and other definitions)
hastily between sentences. Perhaps an almost 20-year old girl is not who Mr.
Jacobson had in mind when he wrote this book all about old white Jewish men.
But regardless of the specificities, I refuse to downplay my ability to connect
to the human experience – and I could not connect to any of the characters in
this book. The Washington Post review
mentioned the novel has elements of
absurdism, and I think that’s definitely true, and when it’s done well it
accounts for 2/3 of the times I laughed(so that is literally two of the three
times) but the trouble with it elsewhere in the book, is that it removes the
ability for people to connect with the characters.
In closing, I would say: do not bother with this book unless
you have some kind of Jewish thing in your life somehow. If you have studied it
recently, if you are Jewish yourself, if you have close Jewish friends –
anything at all, then read it and get back to me. You must be able to see
something I don’t. Even if this is the case, and I am the missing link in the
reader/text relationship, then I still maintain this as a failing on the side
of The Finkler Question. Why? Because
I should not have to read the blurb of a book, and only become interested in it
if I resemble to protagonist. Because books, in the heart of them, should have
themes and ideas and characters with human universality that any open-minded
human can connect to.
"Superfreakonomics" - Stephen J. Dubner & Steven Levitt
Okay. HOLY SHIT THIS BOOK IS SO SO AWESOME EVERYBODY HAS TO
GO OUT AND READ IT. It made me laugh and it made me smile and it made me sad
and then happy, and also inspired, awed, amazed and most importantly, it left
me enlightened.
I feel like I shouldn’t actually have to say much about this
book simply because of how incredibly good it is. I used to hear the word ‘economics’
and think ‘accountant’. Oh – how very wrong I was. Economics in the hands of
these two geniuses has the power to not only be supremely entertaining, but
also seriously educational. This book taught me a whole lot about human nature.
The motivations behind our actions, the patterns in our behaviour, and the way
we interact with the modern world. And I laughed while I was learning – how great
is that!?!?
Mr. Dubner and Mr. Levitt came together for Freakonomics
(essentially the prequel to Superfreakonomics)
and for some strange reason I just came to have the second book in my hands
first. Needless to say, there is absolutely nothing that I could not understand
or appreciate for having not read the first book. No worries there. In fact, I’ve
already ordered Freakonomics. I can’t
wait to get my hands on more of their material.
I think the quality of this work lies in those two great
things I keep coming back to – originality and impact. There is crazy high levels
of originality in the work that these men are doing. The way they use
traditional economics to looks at totally uncouth but real-world situations is
something that the world has never seen before. The impact comes from the
conclusions they can draw from their data. They make you laugh while they’re
telling the story, but this book has gifted me with several long hours of hard
though about the idea of humanity. To spurn such thought is talent on the part
of the writer/s. Nobody can deny that.
The other awesome thing I want you to know, is that these
guys do podcasts. They aren’t quite as good as the books, I’ll be honest with
you there, but they are awesome companions. I haven’t listened to all of them
(there are tons!) but at least ten have passed through these ears and into this
mind and this mind is both entertained and thankful. I don’t think you should
listen to the podcasts if you haven’t already read either Freakonomics or Superfreakonomics,
but you should definitely consider it as an incentive to buy and read the books
themselves. For me, knowing that I have hours and hours more of listening
pleasure to continue what reading the book began, well – it just makes me
happy.
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